Source: RollingStone

Def Leppard, the Cure, Roxy Music and the Zombies also set to enter the Cleveland institution

https://www.rollingstone.com/music/music-news/radiohead-janet-jackson-stevie-nicks-rock-roll-hall-of-fame-2019-class-767917/?jwsource=cl

The Rock and Roll Hall of Fame has officially announced next year’s inductees: Radiohead , Janet Jackson , Stevie Nicks , Def Leppard , The Cure , Roxy Music and the Zombies will all join the class of 2019.

The induction ceremony will be held at Brooklyn’s Barclays Center on March 29th. An edited version of the event will air later on HBO alongside a SiriusXM radio broadcast. Ticket details will be announced in January.

Artists are eligible for the Rock and Roll Hall of Fame 25 years after the release of their first album or single. Kraftwerk, Todd Rundgren, Rage Against the Machine, Rufus & Chaka Khan, MC5, LL Cool J, John Prine and Devo were all nominated, but failed to make the cut. No newly-eligible acts made it in this year, but this was the first time that Def Leppard and Nicks appeared on the ballot (though Nicks was inducted as a member of Fleetwood Mac in 1998). She will become the only woman to enter the Hall of Fame on two occasions.

“I have a lot to say about this,” Nicks says in a statement, “but I will save those words for later. For now I will just say, I have been in a band since 1968. To be recognized for my solo work makes me take a deep breath and smile. It’s a glorious feeling.”

Jackson also released a statement reacting to the honor. “Thank you Rock and Roll Hall of Fame,” she says. “I am truly honored and I am happy to be in there with my brothers.”

Joe Elliott of Def Leppard is equally thrilled by the news. “Now we can stop holding our breath,” he tells Rolling Stone . “How wonderful to be in the same club as the Rolling Stones and the Beatles and the Who and Queen … It’s a nice badge of honor.”

For Colin Blunstone of the Zombies – who have been eligible since 1989 and have appeared on three previous ballots – this was the result of incredible patience and persistence. “You do start to doubt that it could happen,” he tells Rolling Stone. “I’ve tried to be fairly philosophical about it and tell myself that if we don’t get inducted, it’s just a bit of fun. Don’t take it too seriously. But of course when you’re actually inducted, everything changes. You think, ‘This is a career-defining [and] life-defining moment.'”

His longtime bandmate Rod Argent echoed Blunstone’s sentiment. “I know it’s fashionable in some circles to say, ‘I don’t mind whether I get into the Rock and Roll Hall of Fame or not,'” he tells Rolling Stone. “But that is not how I’ve ever felt. When we were first nominated, that felt like a huge honor in its own right. And this time to turn the corner and get inducted, feels fantastic … I’m just so delighted.”

In a statement, a cordial Radiohead said that “the band thanks the Hall of Fame voting body and extends congratulations to this year’s fellow inductees.” But when we spoke to them in 2017, they were a little skeptical about the institution. “I don’t want to be rude about the Rock and Roll Hall of Fame because for a lot of people it means something, but culturally I don’t understand it,” said guitarist Ed O’Brien . “I think it might be a quintessential American thing. Brits are not very good at slapping ourselves on the back. It seems very show-biz and I’m not very show-biz.”

Roxy Music frontman Bryan Ferry had a different take. “We are delighted to accept this prestigious award on behalf of everyone who has been involved in the world of Roxy Music,” he wrote in a Tweet , “musicians, engineers, producers, designers and numerous people behind the scenes… and of course our loyal fans.”

Many Hall of Fame inductions have wrapped up with an all-star jam where each inductee lets loose on a single song, but finding one that works for all seven inductees might be a challenge. “That’s a bit of a tricky one, isn’t it?” asks Blunstone. “If you were to ask me off the top of my head, I’d go with ‘I Saw Her Standing There’ by the Beatles. Everyone knows that.”

Elliott has a different take. “I suppose older folk would be thinking [Chuck Berry’s] ‘Johnny B. Goode’ and younger folk would be thinking [David Bowie’s] ‘Heroes,'” he says. “It might one of those awkward moments where I’m saying, ‘I’m uncomfortable. I’m not doing it. Do they really want to play with us? Do we want to play with them?’ I don’t know. It depends on the Kumbaya-ness of the evening.”

Source: RollingStone

Band’s 44-city Group Therapy Tour coincides with plans to release a new album in 2019

Multi-platinum band Hootie & the Blowfish will return from a lengthy hiatus in 2019, embarking on their first full-scale tour in more than a decade and releasing a studio album for the first time in nearly 15 years.

Dubbed the Group Therapy Tour, the trek will visit 44 North American cities with fellow Nineties stars Barenaked Ladies as special guests, kicking off May 30th in Virginia Beach, Virginia, and wrapping up September 13th with a homecoming concert in Columbia, South Carolina. Along the way the band will also perform at Los Angeles’ Hollywood Bowl, New York City’s Madison Square Garden and a number of state fairs. Tickets go on sale to the general public Friday, December 7th, with pre-sales beginning today. In addition, the Grammy-winning group also plans to release an album through a new record label deal with Universal Music Group Nashville, the same label group where singer Darius Rucker is currently signed as a solo performer.

Mixing elements of rock, soul, folk and pop, Hootie & the Blowfish were founded in the late Eighties by Rucker, guitarist Mark Bryan, bassist Dean Felber and drummer Jim “Soni” Sonefeld while the four were students at the University of South Carolina. Their 1994 album debut, Cracked Rear View , struck a chord with a wide array of music fans, eventually selling more than 21 million copies on the strength of hit singles like “Hold My Hand,” “Let Her Cry” and “Only Wanna Be With You.”

In 2008 the band took a break from regular touring so Rucker could pursue a solo career in country music, a venture which has so far resulted in five albums, eight Number One singles and a Grammy for Best Country Solo Performance for “Wagon Wheel” in 2013. Earlier in 2018, they returned to the stage to play a supporting role at Jason Aldean’s High Noon Neon Tour stop July 21st at SunTrust Park in Atlanta.

Here’s a complete list of dates on Hootie & the Blowfish’s 2019 Group Therapy Tour:

May 30 – Virginia Beach, VA @ Veterans United Home Loans Amphitheater
May 31 – Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek
June 1 – Atlanta, GA @ Cellairis Amphitheatre at Lakewood
June 6 – Orange Beach, AL @ The Wharf
June 7 – Tampa, FL @ Midflorida Credit Union Amphitheatre
June 8 – West Palm Beach, FL @ Coral Sky Amphitheatre
June 13 – Austin, TX @ Austin360 Amphitheater
June 14 – Houston, TX @ The Cynthia Woods Mitchell Pavilion presented by Huntsman
June 15 – Dallas, TX @ Dos Equis Pavilion
June 19 – Phoenix, AZ @ Ak-Chin Pavilion
June 21 – Chula Vista, CA @ North Island Credit Union Amphitheatre
June 22 – Las Vegas, NV @ T-Mobile Arena
June 23 – Irvine, CA @ FivePoint Amphitheatre presented by Mercury Insurance
June 25 – Los Angeles, CA @ Hollywood Bowl
June 28 – Wheatland, CA @ Toyota Amphitheatre
June 29 – Mountain View, CA @ Shoreline Amphitheatre
July 11 – Englewood, CO @ Fiddler’s Green Amphitheatre
July 13 – Maryland Heights, MO @ Hollywood Casino Amphitheatre
July 14 – Rogers, AR @ Walmart AMP
July 19 – Monticello, IA @ Great Jones County Fair
July 20 – Cincinnati, OH @ Riverbend Music Center
July 21 – Burgettstown, PA @ KeyBank Pavilion
July 26 – Cleveland, OH Blossom Music Center
July 27 – Bristow, VA @ Jiffy Lube Live
July 28 – Camden, NJ @ BB&T Pavilion
August 2 – Guilford, NH @ Bank of New Hampshire Pavilion
August 3 – Mansfield, MA @ Xfinity Center
August 4 – Saratoga Springs, NY @ Saratoga Performing Arts Center
August 8 – Columbia, MD @ Merriweather Post Pavilion
August 9 – Canandaigua, NY @ Constellation Brands-Marvin Sands Performing Arts Center: CMAC
August 10 – New York, NY @ Madison Square Garden
August 16 – Detroit, MI @ DTE Energy Music Theatre
August 17 – Noblesville, IN @ Ruoff Home Mortgage Music Center
August 18 – Des Moines, IA @ Iowa State Fair
August 22 – St. Paul, MN @ Minnesota State Fair
August 23 – East Troy, WI @ Alpine Valley Music Theatre
August 24 – Tinley Park, IL @ Hollywood Casino Amphitheatre
August 29 – Toronto, ON, Canada @ Budweiser Stage
August 30 – Hershey, PA @ Hersheypark Stadium
August 31 – Hartford, CT @ Xfinity Theatre
September 5 – Charlotte, NC @ PNC Music Pavilion
September 6 – Birmingham, AL @ Oak Mountain Amphitheatre
September 7 – Nashville, TN @ Bridgestone Arena
September 13 – Columbia, SC @ Colonial Life Arena

There's a new Korn album coming in 2019. Back in August, the band posted an update from the studio and drummer Ray Luzier later said the record would be out in March , retracting his statement shortly after. Regardless of what month it will be released, we know it will be "very groove-oriented," as Jonathan Davis offered up some details about how it's all coming together.

"It's going great. We're recording in Nashville and I'm gonna start working on some stuff when I get home. And when it's done, it's done. We're taking our time on this one," he said in an interview with DOMKcast (video below). "And the stuff that I've heard that we're recording is very groove-oriented," he continued, adding, "It's gonna be a good record. I'm really excited to get home and start singing on it."

Davis said that "there's a lot of moving parts" regarding Korn's process when it comes to new albums. "Sometimes records go real quick. A lot of times, you [get in the studio and things happen] really, really fast. And this could be really, really fast. I've just gotta get in there and do my thing. You never know," he posited.

https://www.spreaker.com/user/domk/domkcast-with-jonathan-davis-of-korn?utm_medium=widget&utm_source=user%3A9074733&utm_term=episode_title

Previous studio updates revealed that Korn were once again working with producer Nick Rasculinecz, who helmed  The Serenity of Suffering and is credited as inspiring the band to return to the sound of their earlier, classic albums. Meanwhile, Davis has kept busy this year with  Black Labyrinth,  his debut solo album. He's currently on the road supporting the record now and you can see a list of remaining dates here .

10 Unforgettable KoЯn Moments

Read more here .

Rolling Stone - Original Story

“Acoustic Version — Take 2” with just George Harrison on guitar and Paul McCartney on harmonium taken from upcoming, revelatory White Album box set

The Beatles ’ White Album has been blowing minds since 1968 — but this weirdest of Beatle masterpieces is about to get weirder. The new Super Deluxe Edition, which arrives on November 9th, tells the epic story of the album that nearly tore them apart — including a previously unheard version of the classic “While My Guitar Gently Weeps” premiering at Rolling Stone . It’s an early acoustic take, as George Harrison tinkers with the ballad that would turn into one of his most powerful statements. Like so many moments on the new box set, it’s the Beatles in full-blast experimental mode — a revelatory listen that makes you hear new mysteries in music you thought you already knew inside out.

“While My Guitar Gently Weeps” (Acoustic Version, Take 2) was recorded on July 25th, 1968, with just George on guitar and Paul on harmonium. It’s a dark and meditative draft of a still-evolving song, as Paul follows along, learning the chords. George tells the Abbey Road crew, “Maybe you’d have to give him his own mike.” (A previous run-through from the same day was on Anthology 3 , but this take was just discovered during the research for this project.) George sings original lines he ended up discarding: “I look from the wings at the play you are staging / As I’m sitting here doing nothing but aging.”

“While My Guitar Gently Weeps” (Acoustic Version, Take 2)

The Beatles - While My Guitar Gently Weeps (Acoustic Version / Take 2 / Audio)

The Beatles didn’t go back to “While My Guitar Gently Weeps” until three weeks after this acoustic draft. In the meantime, they toiled over George’s “Not Guilty” — a song that went through 102 takes and still got axed, which sums up the torment of the five-month sessions. (“Not Guilty” didn’t see the light of day until over a decade later, when an understandably traumatized George finally put it on a 1979 solo record.) “While My Guitar Gently Weeps” wasn’t finished until September, when he brought in a special guest on lead guitar — his best friend Eric Clapton. The box has a jam with the full band (and Clapton) rocking out, until George blows it by reaching for a soulful Smokey Robinson-style high note he can’t hit. “It’s okay,” he laughs. “I tried to do a Smokey, and I just aren’t Smokey.”

“Eric played that and I thought it was really good,” George once recalled. “Then we listened to it back and he said, ‘Ah, there’s a problem, though; it’s not Beatley enough.’ So we put it through the ADT to wobble it up a bit.” The White Album sessions were notoriously chaotic, with tempers running wild at Abbey Road. But George knew everyone would behave themselves around Clapton — a classic George power move. As Giles Martin puts it, “It was his way of telling the others, ‘The best guitarist on the planet likes my songs. I’m here .’” The trick worked — in George’s words, “The other guys were as good as gold because he was there.”

It’s a typical highlight from the expanded White Album. (Still officially titled The Beatles , though nobody has ever called it that.) The Deluxe Edition has new mixes in stereo and 5.1 surround from Giles Martin and Sam Okell, plus one of the Beatles’ most legendary grails: the 27-song Esher demos, which they taped in May 1968. The Super Deluxe Edition adds 50 new tracks from the sessions, most unheard (or even rumored) until now.

“While My Guitar Gently Weeps” (Acoustic Version, Take 2) will be released for streaming and download with digital album pre-order Friday at midnight EDT.

In This Article: George Harrison , The Beatles

Musician alleges breach of fiduciary duty and breach of oral contract, among other charges, after firing earlier this year

Lindsey Buckingham has filed a lawsuit against Fleetwood Mac  for breach of fiduciary duty, breach of oral contract and intentional interference with prospective economic advantage, among other charges, according to legal documents obtained by Rolling Stone. The group parted ways with Buckingham in January and replaced him with Heartbreakers guitarist Mike Campbell and Neil Finn of Crowded House. The lawsuit, filed Tuesday in Los Angeles Superior Court, states that he asked the group to postpone their tour three months so he could play shows with his solo band. He says plans were in place for the Rumours -era lineup to play 60 shows across North America when he was let go without warning.

See full story here:

Rolling Stone Music News - Lindsey Buckingham Sues Fleetwood Mac Over Dismissal From Band

Stevie Nicks now has a chance to enter the Hall of Fame as a second time since she appears on the 2019 ballot

Fleetwood Mac -- "Say You Love Me"

Stevie Nicks is on the Rock and Roll Hall of Fame ballot for the first time as a solo artist. If she makes it in, she’ll join a select class of double inductees that includes John Lennon, Paul McCartney, George Harrison, John Lennon, Neil Young, David Crosby, Stephen Stills, Graham Nash, Jeff Beck, Johnny Carter, Peter Gabriel, Michael Jackson, Curtis Mayfield, Clyde McPhatter, Jimmy Page, Lou Reed, Paul Simon, Rod Stewart, Sammy Strain and Ronnie Wood. Eric Clapton is the lone triple inductee since he got in as a solo artist, a member of Cream and a member of the Yardbirds.

Nicks first entered the Rock and Roll Hall of Fame in 1998 as a member of Fleetwood Mac . “I just want you to know that we all do appreciate this,” she said that night. “This is an incredible honor and we are all just as nervous as we were 25 years ago.” The group then played “Landslide,” “Big Love” and “Say You Love Me” in a segment that you can watch right here. Just months earlier they’d wrapped up their highly successful Dance reunion tour. Nobody knew it at the time, but the Hall of Fame was one of the last times that Christine McVie would play with Fleetwood Mac until she rejoined the group in 2014.

Fleetwood Mac co-founder Peter Green made a rare appearance with his old band when they were inducted. He didn’t perform with them that night since it wouldn’t really make sense for him to play along with songs written years after he left, but by complete coincidence Santana were inducted that same evening. They turned the Fleetwood Mac classic “Black Magic Woman” into a massive worldwide hit, and Green finally got to play it with them.

It remains to be seen whether or not Stevie will enter the Rock and Roll Hall of Fame as a solo artist next year. She faces pretty stiff competition from Radiohead, the Cure, Janet Jackson, Kraftwerk and many others. But if she gets in along with those four, we’re going to get one hell of an all-star jam at the end.

On March 9, Experience Hendrix and Legacy Recordings proudly release Both Sides of the Sky, a dynamic new Jimi Hendrix album featuring 13 studio recordings made between 1968 and 1970—10 of which have never before been released. The album will be released on multiple formats including CD, digital, and as a 180 gram audiophile vinyl 2LP.

Both Sides of the Sky is the third volume in a trilogy of albums intended to present the best and most significant unissued studio recordings remaining in the music legend’s archive. This third release is anticipated to complete the spectacular recording event in epic fashion. “Since Experience Hendrix began its restoration of the Jimi Hendrix music catalog in 1997, our goal has been to present these important recordings to Jimi’s fans in the best possible quality. We are excited about achieving that. We’ve also been intent on generating album releases which present this amazing music in its proper context,” explains John McDermott, one of the album’s co-producers, together with Janie Hendrix and Eddie Kramer.

Pre-Order the New Album 'Both Sides of the Sky'

TRACK LIST:
1. Mannish Boy* – The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of “Mannish Boy” by Muddy Waters makes clear.
2. Lover Man* – Just two weeks before their triumphant New Year’s concerts at the Fillmore East in NYC [yielding both 1970’s Band Of Gypsys and 2016’s sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.
3. Hear My Train A Comin’* – this version hails from April 1969 and features the original Jimi Hendrix Experience (Hendrix, Redding, Mitchell) in their penultimate recording session. They recorded the song live in the studio and tore into it with savage fury.
4. Stepping Stone* – A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.
5. $20 Fine* -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.
6. Power Of Soul – This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.
7. Jungle* – The influence of Curtis Mayfield can be heard here as Jimi expands on the “Villanova Junction Blues” theme he made famous by its inclusion in the 1970 Woodstock documentary.
8. Things I Used To Do – Jimi is joined for this rendition of Guitar Slim’s blues classic by Johnny Winter. Jimi’s trademark guitar work and Winter’s deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.
9. Georgia Blues – Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix’s sublime rhythm and lead guitar work.
10. Sweet Angel* – With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of “Angel,”, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.
11. Woodstock* – Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY’s version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.
12. Send My Love To Linda* – A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.
13. Cherokee Mist* – Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.

Pre-Order the New Album 'Both Sides of the Sky'

*previously unreleased

Friday, August 5 at 9:30 PM

BrewskeysBar AndGrill, LLC 2600 S Meridian Ave, Oklahoma City, Oklahoma 73108

When: Thursday August 11, 6:30 PM

Where: OKC Zoo Amphitheatre - Oklahoma City, OK

Featuring:

Disturbed , Breaking Benjamin , Alter Bridge ,  Saint Asonia and more...

Tickets - Starting at $39.50

KIRRA IS:
Jesse Williamson - Lead Vocals/Rhythm Guitar
Daxton Page - Lead Guitar
Ryne McNeill - Bass/Backing Vocals
Zach Stafford - Drums

Kirra is a hard rock band based out of Oklahoma City, Oklahoma, with a strong emphasis on the word “Rock” meaning “Straight up and raw” as guitarist Daxton Page puts it when referring to their new upcoming debut album titled “Run Away.” Some of the bands influences range from Chevelle, Tool, Five Finger Death Punch, Seether, or simply stated, “Rock Music” in general.

The band was created when guitarist Daxton Page left a rock school program and was interested in starting a band. “Through friends of friends, I met Zach. We jammed a few times playing cover songs like "Chop Suey" by S.O.A.D, but we were looking for a full band. After a few weeks of searching on Craigslist, Ryne answered our ad and told us he could play bass and he also had a friend, Jesse, who could sing and play guitar. During our first practice together we went through a few covers. Then, Jesse throughout the idea of just improvising something. I had a chord progression that was in my head for about a week. By the end of our first rehearsal, we wrote the song "Drown" off our first EP.”

The EP “Sounds from an Empty Room” which was released digitally included the song called “Downfall” that immediately grabbed the attention of internet radio and social media fans worldwide. Shortly after, the band decided to continue writing for an album as lead singer Jesse Williamson recalls. “At the beginning we were just writing machines, we would write a song, practice it, throw some ideas for a new song, next practice we would work out the new song, practice, and this cycle happened about 2 weeks in a row. We wrote and write as often as we can, whether it's riffs, chorus idea, breakdown, etc. After the EP did so well, we had these extra songs for a while and we figured we should combine them for a full length record.”

Having music as the band’s release, “Run Away” has a little of everything in it lyrically, but more specific is the statement they wanted to make musically. “We wanted to make a statement about overproduction in the music today”, Daxton mentions. “We used 0 click-tracks, and wanted to make this as stripped down AND personal as we possibly could. I feel “Run Away” album is a direct reflection of where we were musically and personally and we are excited to get it out there.”

Kirra’s first live performance show was opening for a friends band, and after playing as many gigs as they could, they found themselves being invited to open for such acts as 3 Doors Down, Sons of Texas, Saving Able, Puddle of Mudd, & Smile Empty Soul. “The fans have always been great to us. Its great to know that there are still fans of rock music out there. We are just 4 guys who love making music together, there truly is no greater feeling than writing a piece of music that you put everything into, and seeing a crowd respond to that. It’s a gamble, you're putting a personal side of yourself out there. In the end, we are doing this for the love we have for rock music."

Tracks:

1. https://www.localbandz.com/kirra/audio/323/fly